Descrevendo a dor na peça documentário No Escape, de Mary Raftery

Autores

DOI:

https://doi.org/10.5007/2175-8026.2021.e74644

Resumo

O teatro documentário é um gênero em que fontes e eventos reais são usados e editados para se tornarem a forma de textos dramáticos e performances. As experiências pessoais narradas em No Escape (2010), uma peça documentário de Mary Raftery, chocaram muitas pessoas devido às várias descrições gráficas de abuso infantil que ocorreram em escolas industriais e orfanatos na Irlanda. Este artigo analisa como a dor é apresentada em No Escape, contrastando a linguagem utilizada por autoridades, vítimas e representantes de diferentes instituições, em suas respectivas falas na peça. A dor, como sensação física e psicológica, é um assunto que ainda precisa ser examinado mais detalhadamente em discussões sobre a  história da Irlanda para fornecer aos estudiosos e à sociedade uma oportunidade de refletir sobre este assunto - e, talvez, alcançar a cura.

Biografia do Autor

Natália Elisa Pastore, Universidade Federal de Santa Catarina

Natália Elisa Lorensetti Pastore has a BA in English by Universidade Federal de Santa Catarina. Currently, she studies Translation at Pós-Graduação em Estudos da Tradução - UFSC, advised by professor Alinne Fernandes. Her research project includes analysing the translation of the book The Gathering, written by the Irish author Anne Enright, into Brazilian-Portuguese. Natália is a member of the research cluster on Irish Studies (NEI) and a member in the research cluster on feminism, literature and translation (GEFLIT) at the Universidade Federal de Santa Catarina.

Alinne Fernandes, Universidade Federal de Santa Catarina

Dr Alinne Fernandes holds a tenured position at Departamento de Língua de Literatura Estrangeiras. She is the vice-coordinator of the research cluster on Irish Studies (NEI) and coordinator of a research cluster on feminism, literature and translation (GEFLIT), at the Universidade Federal de Santa Catarina, Florianópolis, Brazil. She completed her PhD in Translation and Dramaturgy at Queen’s University Belfast in 2012. She is the translator of Marina Carr's By the Bog of Cats... in Brazil (Rafael Copetti Editor, 2017). Her academic publications include articles and chapters in both national and international peer-reviewed journals and books. Fernandes has also translated and worked as dramaturge on the production of several (unpublished) plays for performance and staged readings, such as Mary Raftery’s No Escape and Patricia Burke Brogan’s Eclipsed, as well as directed several rehearsed readings. She is also a member of the Translation, Adaptation, and Dramaturgy (TAD) working group of the International Federation for Theatre Research (IFTR).

Beatriz Kopschitz Bastos, Universidade Federal de Santa Catarina

Beatriz Kopschitz Bastos is a faculty member in the Post-graduate Programme in English at the Federal University of Santa Catarina and production director of Cia Ludens, a Brazilian theatre company dedicated to Irish theatre. She holds an MA from Northwestern University and a PhD from the University of São Paulo. She completed two post-doctoral research projects in the fields of Irish theatre and film at UFSC and was a Visiting Research Fellow at the National University of Ireland Galway. Her publications, as editor or co-editor, include: the bilingual series Ireland on Film: Screenplays and Critical Contexts (2011-present); Coleção Brian Friel (2013); Coleção Tom Murphy (2019); Vidas irlandesas: o cinema de Alan Gilsenan em contexto (2019); Ilha do Desterro 73.2 – The Irish Theatrical Diaspora (2020); and Contemporary Irish Documentary Theatre (2020).

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Publicado

2021-01-28

Edição

v. 74 n. 1 (2021): Literatura

Seção

Contextos literários: gênero, identidade e resistência

Licença

Copyright (c) 2020 Natália Elisa Lorensetti Pastore, Alinne Fernandes, Beatriz Kopschitz Bastos

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This work is licensed under a Creative Commons Attribution 4.0 International License.