Recognition as a category of cultural criticism
DOI:
https://doi.org/10.5007/1984-6924.2019v16n1p11Abstract
In this article i investigate articulations between the politics of recognition and cultural criticism. I examine how journalistic critique of audiovisual fiction manifests aspects of this paradigm through three non-excluding relations: the identification and analysis of recognition as a structuring perspective of the work; recognition as value; and as a more complex demand for imagery parity. For that, I analyze the critique of films like Black Panther and Beguiled. The results point to the emergence of a critique less aesthetic than ethics, which highlights the identity aspects of the characters and questions of representativeness in audiovisual industry. The article proposes, in the end, the challenge of articulating the value of recognition to aesthetic elements for a broader analysis of audiovisual discourse.
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