A domesticidade nas trilogias de Sean O’Casey e Yu Ch'i-jin

Autores

DOI:

https://doi.org/10.5007/2175-8026.2020v73n2p99

Resumo

Este artigo examina a representação do domínio doméstico na trilogia de Dublin de Sean O'Casey, na década de 1920, e na trilogia Nongchon do dramaturgo coreano Yu Ch'i-jin, na década de 1930. Argumento que Yu ecoa a encenação da nação de O'Casey, concentrando-se na pátria e no lar, pois ele considera os métodos de O'Casey mais bem-sucedidos em atender as pessoas em geral da nação colonizada. Além disso, reconheço que essa é a tentativa de Yu de estabelecer uma solidariedade transcolonial entre o teatro nacional coreano e irlandês, em vez de produzir uma tradição teatral "ocidentalizada" para a nação coreana.

Biografia do Autor

Ji Hyea Hwang, University of Illinois at Urbana-Champaign

PhD Candidate, Comparative and World Literature

Referências

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Publicado

2020-05-25