n. 49 (2005)

Capa

Capa/ journal cover

Ilha do Desterro

000
- PDF

Início

Início/Initial

1-10
- PDF

Introdução

Shakespeare’s drama: appropriation on page, stage, and celluloid.

José Roberto O’Shea, Daniela Lapoli Guimarães, Stephan Arnolf Baumgärtel

011-023
- PDF

Artigos

Bowdlerizing or maximizing? Two strategies to render Shakespeare’s sexual puns In nineteenth-century spain

Laura Campillo Arnaiz

025-036
- PDF
Translational implications: History and multilingualism in Henry V

M. Gomes da Torre

037-053
- PDF
“Perplex’d in extreme”, or [in]fidelity in translation: reading and performing

Miguel A. Montezanti

055-073
- PDF
Editing for performance: Dr Johnson and the stage

Peter Hollland

075-098
- PDF
Escaping from allegories:cat’s eye and King Lear

Caroline Cakebread

099-111
- PDF
Women take the island: nation, profession, place

Ruth Morse

113-141
- PDF
Shakespeare in Japan’s zen philosophy: the plays of nothing at the theatre of nothing

Yoshio Arai

143-157
- PDF
Elusiveness of revenge and impossibility of tragedy: Shakespeare’s Hamelt and Pirandello’s Enrico IV

Carla Dente

159-194
- PDF
“My hand is ready, may it do him ease”: Shakespeare and the theatre of display

Michael Mangan

195-213
- PDF
“All the proportions are changed”: twelfth night and the evolution of the concept and practice of mise en scène in Portugal

Paulo Eduardo Carvalho

215-234
- PDF
Contrasting fortunes: lope in the uk/Shakespeare in Spain

Keith Gregor

235-253
- PDF
Where is shakespeare? Locality and performative translation

Alexander C. Y. Huang

255-264
- PDF
Staging sexual difference: the cultural appropriation of Shakespeare’s Lady Macbeth in Eighteenth-Century England and Germany

Sonja Fielitz

265-287
- PDF
The real thing? Adaptations, transformations and burlesques of Shakespeare, historic and post-modern

Manfred Draudt

289-314
- PDF
Shakespeare arean hypertexts in communist Bulgaria

Alexander Shurbanov

315-338
- PDF
Textual appropriation: totalitarian violence in Shakespeare’s Macbeth and

Anna Stegh Camati

339-367
- PDF
Apropriação criativa dos cânones em novos roteiros e linguagens

Margarida Gandara Rauen

369-396
- PDF
Disney’s “war efforts”: the lion king and Education for death, or Shakespeare made easy For your apocalyptic convenience

Alfredo Michel Modenessi

397-415
- PDF

Notes on Contributors

notas dos autores/notes of contributors

417-426
- PDF

Capa

Capa/ journal cover

Início

Início/Initial

Introdução

Shakespeare’s drama: appropriation on page, stage, and celluloid.

Artigos

Bowdlerizing or maximizing? Two strategies to render Shakespeare’s sexual puns In nineteenth-century spain

Translational implications: History and multilingualism in Henry V

“Perplex’d in extreme”, or [in]fidelity in translation: reading and performing

Editing for performance: Dr Johnson and the stage

Escaping from allegories:cat’s eye and King Lear

Women take the island: nation, profession, place

Shakespeare in Japan’s zen philosophy: the plays of nothing at the theatre of nothing

Elusiveness of revenge and impossibility of tragedy: Shakespeare’s Hamelt and Pirandello’s Enrico IV

“My hand is ready, may it do him ease”: Shakespeare and the theatre of display

“All the proportions are changed”: twelfth night and the evolution of the concept and practice of mise en scène in Portugal

Contrasting fortunes: lope in the uk/Shakespeare in Spain

Where is shakespeare? Locality and performative translation

Staging sexual difference: the cultural appropriation of Shakespeare’s Lady Macbeth in Eighteenth-Century England and Germany

The real thing? Adaptations, transformations and burlesques of Shakespeare, historic and post-modern

Shakespeare arean hypertexts in communist Bulgaria

Textual appropriation: totalitarian violence in Shakespeare’s Macbeth and

Apropriação criativa dos cânones em novos roteiros e linguagens

Disney’s “war efforts”: the lion king and Education for death, or Shakespeare made easy For your apocalyptic convenience

Notes on Contributors

notas dos autores/notes of contributors

Idioma

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