Issue Title
Vol 69, No 2 (2016) Postcolonial Longing on the Australian Cinematic Frontier Abstract  PDF/A
Pauline Marsh
Vol 70, No 1 (2017) Chronos sickness: digital reality in Duncan Jones’s Source Code Abstract  PDF/A
Marcia Tiemy Morita Kawamoto
Vol 70, No 1 (2017) Eisenstein in Mexico: Greenaway’s post-modern representation of the Queer artist Abstract  PDF/A (Português (Brasil))
Andrei dos Santos Cunha, Elaine Barros Indrusiak
Vol 69, No 2 (2016) Screening Indigenous Australia: Space, Place and Media in Frances Calvert’s Talking Broken Abstract  PDF/A
Peter Kilroy
Vol 70, No 1 (2017) Parody and the gas station in William Shakespeare's Romeo and Juliet Abstract  PDF/A
Avital G. Cykman
Vol 70, No 1 (2017) Nadsat - the language of violence: from novel to film Abstract  PDF/A
Israel Alves Correa Noletto, Margareth Torres de Alencar Costa
Vol 72, No 1 (2019): Mapping Critical Journeys in Literature, Film, and Cultural Studies It hurts ’cause you’re in my world now, bitch: Gothic features in the 1984 and 2010 versions of A Nightmare on Elm Street Abstract  PDF/A
Claudio Vescia Zanini
No 51 (2006) Genital impacts Abstract  PDF (Português (Brasil))
Luiz Felipe G Soares
No 51 (2006) Learning to live with the “other” in America Abstract  PDF (Português (Brasil))
Mauro Eduardo Pommer
No 51 (2006) When Harry met Zuckerman: self-reflexivity and metafiction in Philip Roth and Woody Allen Abstract  PDF (Português (Brasil))
Thomás Creus
No 51 (2006) Is adaptation. Truly an adaptation? Abstract  PDF (Português (Brasil))
Thais Flores Nogueira Diniz
No 64 (2013): Studies in Multimodality Multimodal analysis of film within the gem framework Abstract  PDF/A (Português (Brasil))
John A. Bateman
No 54 (2008) Two versions of the road back home: native cinema in the USA and Canada Abstract  PDF (Português (Brasil))
Márgara Avebach
Vol 73, No 2 (2020): The Irish Theatrical Diaspora Review: Jordan, Eamonn. The theatre and films of Conor McPherson: conspicuous communities. Methuen, 2019. Abstract  PDF/A
Ian R. Walsh
No 42 (2002) “How old is mae west?”: Mnemotechnics, female Female impersonation, and the eunarchy in Hitchcock Abstract  PDF (Português (Brasil))
Tom Cohen
No 65 (2013): Dis-Placed Sights/Sites: Contemporary Perspectives on Film, Media and Literature Dis-placed sites/sights and the configuration of otherness´ space in Ian Mcewan´s Atonement and in Joe Wright´s film adaptation Abstract  PDF/A (Português (Brasil))
Lucia Fatima Fernandes Nobre
1 - 16 of 16 Items

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