Spatial Politics in Tom Stoppard’s Rosencrantz and Guildenstern Are Dead

Authors

  • Elham Kazemi Kharazmi University
  • Mohsen Hanif Kharazmi University

DOI:

https://doi.org/10.5007/2175-8026.2017v70n1p287

Abstract

This article examines the notion of spatial politics in Tom Stoppard’s Rosencrantz and Guildenstern Are Dead. The two courtiers enter the politically convulsive world of Hamlet, where no legitimate power structure takes hold of the state. Their regularized political rationality ceases to apply to the world; reality violates the empirical knowledge — emplacements, geographical and spiritual directions, and generally identity — of Rosencrantz and Guildenstern. The previously defined functions of places, or heterotopias (in Foucauldian terms), are in a state of abeyance. Therefore, they are lost in the midst of the unknown sets of spatial relations; any sorts of intentional act evade them; and they die and vanish absurdly in a placeless place.

      

Author Biographies

Elham Kazemi, Kharazmi University

Elham Kazemi has an MA in English Literature from Kharazmi University of Tehran,  Iran. Her current research focuses on postmodernism and modern drama.

Mohsen Hanif, Kharazmi University


Assistant professor of English Literature at University of Kharazmi, Iran. He has published articles on Persian and comparative literature, as well as American ethnic minorites' fiction. He also has published a book in Persian on War Fiction and has a another under publication about magical realism in Iran.

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Published

2017-01-27

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Articles