Dion Boucicault: showman and Shaughraun

Authors

DOI:

https://doi.org/10.5007/2175-8026.2020v73n2p137

Abstract

Dion Boucicault’s three Irish plays: The Colleen Bawn (1860), Arrah-na-Pogue (1864) and The Shaughraun (1874), while not critically significant, owe their perennial popularity to their appeal to Irish romantic nationalism and to their memorable character types. While Boucicault’s character Myles Murphy or Myles na gCopaleen (Myles of the Ponies), an example of his native Irish hero, was the first of a series of rogue heroes that John Millington Synge developed in his character of Christy Mahon, Boucicault also owes the character of Myles to American native heroes like Sam Patch, Davy Crockett and Mose the Bowery B’hoy. While the plays are not great drama, they are good theatre and a less self-conscious national theatre has found room for both Boucicault and Synge.

References

Boucicault, Dion. The Art of Acting. New York: Columbia University Press, 1926.

urnett, J.G. Blanche of Brandywine. An American Spectacle. New York: T.H. French, 1858.

Fay. Frank. Toward a National Theatre. Ed. Robert Hogan. Dublin: The Dolmen Press, 1970.

Hogan, Robert. Dion Boucicault. New York: Twayne Publishing, 1969.

Krause, David. The Dolmen Boucicault. Dublin: The Dolmen Press, 1964.

Meer, Sarah. “Boucicault’s Misdirections: Race, Transatlantic Theatre and Social Position in The Octoroon,” Atlantic Studies. Global Currents. 6, 1, 2009, 81-95.

Robinson, Lennox. Ireland’s Abbey Theatre. A History 1899-1951. Port Washington: Kennikat Press, 1968.

Walsh, Townsend, The Career of Dion Boucicault. New York: Benjamin Blom, 1967.

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Published

2020-05-25