Review: Lanters, José. The theatre of Thomas Kilroy: no absolutes. Cork UP, 2018
DOI:
https://doi.org/10.5007/2175-8026.2020v73n2p151Abstract
For anyone studying contemporary theatre, José Lanters’ new book on Thomas Kilroy is essential. Lanters examines Kilroy’s writing and theatrical process for ten plays, positioning him as an Irish writer who blends global influences, works cooperatively with production teams, and is postmodern in thematic sensibility and experimental stylizing. She divides the study of these plays into three sections: “Nationalism and Identity,” “Gender and Sexuality,” and “Art and Mysticism.”
References
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Gillespie, Elgy. “Interview with Thomas Kilroy.” Irish Times, 26 April 1972, 12.
Girard, René. Violence and the Sacred. trans. Patrick Gregory. Baltimore and London: Johns Hopkins UP, 1977.
Kilroy, Thomas. Blake. Oldcastle: Gallery Press, 2015.
Kilroy, Thomas. The Shape of Metal.
Kilroy, Thomas. Talbot’s Box. Oldcastle: Gallery Press, 1997.
