<b>A brief history of Cia Ludens and its productions of Irish plays in Brazil</b><br>

Autores

  • Domingos Nunez Cia Ludens

DOI:

https://doi.org/10.5007/2175-8026.2010n58p479

Resumo

This essay intends to give an account of the activities undertaken by Cia Ludens, a professional Brazilian theatre company, since its foundation in 2003 up to present days. With the sole purpose of translating and producing Irish plays in Brazil, mainly by contemporary dramatists, and establishing possible connections with the Brazilian reality, the company has so far produced four plays and three staged readings, designed to show part of its researching process. Interwoven by the concept of "play", the reflections presented here reveal how some of Huizinga's ideas influenced the company's artistic choices in its various productions.

Biografia do Autor

Domingos Nunez, Cia Ludens

Domingos Nunez has an undergraduate degree in Letras from Universidade Federal de Santa Catarina, a Master's in Contemporary Portuguese Drama from Universidade de São Paulo, and a PhD in Contemporary Irish Drama from Universidade de São Paulo and the National University of Ireland. He is a translator, a playwright and the Artistic Director of Cia Ludens, which has produced since 2003 four plays by Irish dramatists: Brian Friel's Dancing at Lughnasa (2004) and Faith Healer (2009); Marie Jones's Stones in His Pockets (2006) and Bernard Shaw's The Simpleton of the Unexpected Isles (2008). He has published articles and translations on Irish Literature and on Cia Ludens creative processes.

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Publicado

2010-11-17

Edição

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Artigos