Parody and the gas station in William Shakespeare's Romeo and Juliet

Avital G. Cykman

doi:10.5007/2175-8026.2017v70n1p177

Autores

Avital G. Cykman Federal University of Santa Catarina https://orcid.org/0000-0003-3214-8213

DOI:

https://doi.org/10.5007/2175-8026.2017v70n1p177

Resumo

O filme de 1996 de Baz Luhrmann, Romeu e Julieta de William Shakespeare, é uma adaptação pop da peça do final do século XVI. As referências cruzadas e transgressões das alusões e sua afirmação subversiva pós-moderna, juntamente com a extrema intensidade com que esses elementos aparecem no ato um, cena um, e especialmente na cena colocada em um posto de gasolina, produzem uma ironia autodirigida em uma combinação de referências que define o filme como paródia no sentido pós-moderno. Assim, este artigo examina o primeiro ato, com uma atenção especial à sequência de postos de gasolina, e analisa-o à luz das definições acadêmicas da paródia pós-moderna por Linda Hutcheon, John W. Duvall e Douglas Lanier e de pastiche por Fredric Jameson . Uma vez estabelecida a hipótese da paródia, o artigo analisa o que o filme parodia, de que maneira, e qual são o objetivo e o impacto do humor aplicado.

Biografia do Autor

Avital G. Cykman, Federal University of Santa Catarina

Avital G.Cykman is a PhD candidate at the Federal University of Santa Catarina. Her work about feminist postmodernism in Margaret Atwood’s novel Cat’s Eye won first place in the graduate essay contest category in Margaret Atwood Society Awards and was published in the Margaret Atwood Society Magazine, Canada. Her article about anger in Margaret Atwood’s novel The Handsmaid’s Tale has been published in Arthemis, an interdisciplinary magazine for research in gender, feminism, and sexuality. Her fiction book Life In, Life Out was published in the USA in 2014 to a favorable critical review. Her research interests include corporeality, gender, minorities, trauma and creative writing. Email: avital.gc@gmail.com.

Referências

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