The açaí signboard as an informational mediator: a semiotic analysis in light of Peirce’s trichotomy
DOI:
https://doi.org/10.5007/1518-2924.2026.e108797Keywords:
Semiotics, Information mediation, Amazonian culture, Sign, Açaí signboardAbstract
Objective: To analyze the açaí signboard as an informational mediating sign in the Amazonian context of Pará, seeking to understand how an everyday visual artifact articulates sensory, cultural, and communicational dimensions, establishing itself as a mediator in the circulation of meanings.
Method: The research is characterized as qualitative and documentary, of a narrative-interpretative nature, grounded in semiotic analysis based on Peircean theory. The empirical corpus consisted of five photographic records of açaí signboards located in different areas of Belém, examined according to Peirce’s three trichotomies (qualisign–sinsign–legisign; icon–index–symbol; rheme–dicent–argument). The investigation integrated documentary description, narrative interpretation, and semiotic analysis.
Results: It was observed that the açaí signboard transcends its commercial function and manifests as an informational sign imbued with social meanings. The predominant red functions as a sensory qualisign and an icon of the fruit; its physical presence constitutes the sinsign and the index of the offer; and its recurrence consolidates the legisign and the cultural symbol that standardizes the collective reading of the sign. The interpretive path, from rheme to argument, demonstrates an informational process that begins with sensory perception and culminates in a socially stabilized convention.
Conclusions: It was found that the açaí signboard expresses an informational mediation rooted in local culture, in which the sign operates as a link between experience, fact, and law, articulating the aesthetic, pragmatic, and symbolic dimensions of Amazonian daily life. The study demonstrated that Peircean semiotics constitutes a consistent theoretical-methodological tool for Information Science, as it enables understanding information as a relational, situated, and culturally mediated phenomenon, expanding the analytical field beyond formal institutions.
Downloads
References
AÇAÍ DU MEGA. Perfil no Instagram. Disponível em: https://www.instagram.com/acai_du_mega/. Acesso em: 08 nov. 2025.
ALIÂNÇA AÇAÍ. X (antigo Twitter), 7 fev. 2019. Disponível em: https://x.com/Acai_Alianca_RM/status/1093634277776986113. Acesso em: 8 nov. 2025.
ALMEIDA JÚNIOR, O. F. de. Mediação da Informação e múltiplas linguagens. Tendências da Pesquisa Científica em Ciência da Informação, v. 2, n. 1, 2009.
ALMEIDA JÚNIOR, Oswaldo Francisco de. Mediação da informação: um conceito atualizado. In: BORTOLIN, Sueli; SANTOS NETO, João Arlindo dos; SILVA, Rovilson José da (Orgs.). Mediação oral da informação e da leitura. Londrina-PR: ABECIN, 2015.
CASTRO, Fábio Fonseca de. Intencionalidade, experiência banal e comunicação. Esboço de prospecção fenomenológica do quotidiano. Logos, v. 22, n. 2, 2015. DOI: https://doi.org/10.12957/logos.2015.19617
CASTRO, Jetur Lima de. Mediação da informação e autorrepresentação: resistência e emancipação social por meio de interferências nas contranarrativas audiovisuais de coletivos periféricos. 2025. 317 f. Tese (Doutorado em Ciência da Informação) - Faculdade de Filosofia e Ciências, Universidade Estadual Paulista (Unesp), Marília, 2025.
CAVALCANTE, Alcinéa. Macapá tem!. Disponível em: https://www.alcinea.com/macapa/macapa-tem-14. Acesso em: 24 ago. 2025.
CANCLINI, Néstor García. Culturas híbridas: estratégias para entrar e sair da modernidade. 4. ed. São Paulo: Edusp, 2008.
CLANDININ, D. Jean; CONNELLY, F. Michael. Narrative Inquiry: experience and story in qualitative research. San Francisco: Jossey-Bass, 2000.
DUNKER, C. I. L. Mediação na cura psicanalítica e na curadoria empática. In: PEREZ, C.; TRINDADE, E. (org.). Mediações: perspectivas plurais. Barueri: Estação das Letras e Cores, 2020.
ESCOBAR, Arturo. Territorios de diferencia: lugar, movimientos, vida, redes. Trad.: Eduardo Restrepo. Bogotá: Envión Editores, 2010.
GOVERNO DO ESTADO DO PARÁ. Sabores do Pará. Online Facebook. Disponível em: https://www.facebook.com/photo/?fbid=2797066790355776&set=pcb.2797067167022405. Acesso em: 24 ago. 2025.
HALL, Stuart. A identidade cultural na pós-modernidade. 11. ed. Rio de Janeiro: DP&A, 2003.
IBRI, I. A. Kósmos Noetós: a arquitetura metafísica de Charles S. Peirce. São Paulo: Paulus, 2015.
LISZKA, J. J. A general introduction to the semeiotic of Charles Sanders Peirce. Bloomington: Indiana University Press, 1996. DOI: https://doi.org/10.2979/1788.0
MAFFESOLI, Michel. O tempo das tribos: o declínio do individualismo nas sociedades de massa. 3. ed. Rio de Janeiro: Forense Universitária, 2001.
NÖTH, Winfried. Semiótica do século XX. 3.ed. São Paulo: Annablume, 2005.
PEIRCE, Charles Sa. Semiótica. São Paulo: Perspectiva, 2005.
PEREZ, Clotilde; TRINDADE, Eneus. Mediações Perspectivas plurais. Barueri – SP: Estação das letras e Cores, 2020.
RIESSMAN, Catherine Kohler. Narrative Methods for the Human Sciences. Thousand Oaks: Sage Publications, 2008.
SAVAN, David. An introduction to C. S. Peirce’s full system of semiotic. Toronto: Toronto Semiotic Circle, 1987.
SANCHES, G. A. R.; RIO, S. F. Mediação da informação no fazer bibliotecário no âmbito das ações culturais. InCID: Revista de Ciência da Informação e Documentação, Ribeirão Preto, v. 1, n. 2, p. 103-121, 2010. DOI: https://doi.org/10.11606/issn.2178-2075.v1i2p103-121
SANTAELLA, Lucia Santaella. O que é semiótica. São Paulo: Brasiliense, 2012.
SANTAELLA, Lucia Santaella. Semiótica aplicada. São Paulo: Cenage Learning, 2018.
SILVA, J. C.; GOMES, H. F. Conceitos de informação na Ciência da Informação: percepções analíticas, proposições e categorizações. Informação & Sociedade: Estudos, v. 25, n. 1, p. 157-157, 2015.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2026 Jetur Lima de Castro, Alessandra Nunes de Oliveira

This work is licensed under a Creative Commons Attribution 4.0 International License.
The author must guarantee that:
- there is full consensus among all the coauthors in approving the final version of the document and its submission for publication.
- the work is original, and when the work and/or words from other people were used, they were properly acknowledged.
Plagiarism in all of its forms constitutes an unethical publication behavior and is unacceptable. Encontros Bibli has the right to use software or any other method of plagiarism detection.
All manuscripts submitted to Encontros Bibli go through plagiarism and self-plagiarism identification. Plagiarism identified during the evaluation process will result in the filing of the submission. In case plagiarism is identified in a manuscript published in the journal, the Editor-in-Chief will conduct a preliminary investigation and, if necessary, will make a retraction.
This journal, following the recommendations of the Open Source movement, provides full open access to its content. By doing this, the authors keep all of their rights allowing Encontros Bibli to publish and make its articles available to the whole community.
Encontros Bibli content is licensed under a Creative Commons Attribution 4.0 International License.
Any user has the right to:
- Share - copy, download, print or redistribute the material in any medium or format.
- Adapt - remix, transform and build upon the material for any purpose, even commercially.
According to the following terms:
- Attribution - You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
- No additional restrictions - You may not apply legal terms or technological measures that legally restrict others from doing anything that the license permits.


















