No. 49 (2005)

Published: 2005-01-01

Journal Cover

journal cover

Ilha do Desterro

000
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Initial

Início/Initial

1-10
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Introduction

Shakespeare’s drama: appropriation on page, stage, and celluloid.

José Roberto O’Shea, Daniela Lapoli Guimarães, Stephan Arnolf Baumgärtel

011-023
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Articles

Bowdlerizing or maximizing? Two strategies to render Shakespeare’s sexual puns In nineteenth-century spain

Laura Campillo Arnaiz

025-036
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Translational implications: History and multilingualism in Henry VTranslational implications: History and multilingualism in Henry V

M. Gomes da Torre

037-053
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“Perplex’d in extreme”, or [in]fidelity in translation: reading and performing

Miguel A. Montezanti

055-073
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Editing for performance: Dr Johnson and the stage

Peter Hollland

075-098
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Escaping from allegories:cat’s eye and King Lear

Caroline Cakebread

099-111
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Women take the island: nation, profession, place

Ruth Morse

113-141
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Shakespeare in Japan’s zen philosophy: the plays of nothing at the theatre of nothing

Yoshio Arai

143-157
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Elusiveness of revenge and impossibility of tragedy: Shakespeare’s Hamelt and Pirandello’s Enrico IV

Carla Dente

159-194
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“My hand is ready, may it do him ease”: Shakespeare and the theatre of display

Michael Mangan

195-213
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“All the proportions are changed”: twelfth night and the evolution of the concept and practice of mise en scène in Portugal

Paulo Eduardo Carvalho

215-234
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Contrasting fortunes: lope in the uk/Shakespeare in Spain

Keith Gregor

235-253
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Where is shakespeare? Locality and performative translation

Alexander C. Y. Huang

255-264
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Staging sexual difference: the cultural appropriation of Shakespeare’s Lady Macbeth in Eighteenth-Century England and Germany

Sonja Fielitz

265-287
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The real thing? Adaptations, transformations and burlesques of Shakespeare, historic and post-modern

Manfred Draudt

289-314
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Shakespeare arean hypertexts in communist Bulgaria

Alexander Shurbanov

315-338
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Textual appropriation: totalitarian violence in Shakespeare’s Macbeth and

Anna Stegh Camati

339-367
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Apropriação criativa dos cânones em novos roteiros e linguagens

Margarida Gandara Rauen

369-396
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Disney’s “war efforts”: the lion king and Education for death, or Shakespeare made easy For your apocalyptic convenience

Alfredo Michel Modenessi

397-415
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Notes on contributors

notes of contributors

417-426
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