A performance na sociedade de História: relações com o documento, com a informação e com a memória

Ana Cláudia Lara dos Santos Coelho; Vitor Manoel Marques da Fonseca; Elisabete Gonçalves de Souza

doi:10.5007/1518-2924.2019.e65042

Performance in the society of history: relations with document, information and memory

Authors

Ana Cláudia Lara dos Santos Coelho Universidade Federal Fluminense, Niteroi, Rio de Janeiro, Brasil https://orcid.org/0000-0002-8436-325X
Vitor Manoel Marques da Fonseca Universidade Federal Fluminense, Niteroi, Rio de Janeiro, Brasil https://orcid.org/0000-0003-4551-3945
Elisabete Gonçalves de Souza Universidade Federal Fluminense, Niteroi, Rio de Janeiro, Brasil https://orcid.org/0000-0001-9707-6017

DOI:

https://doi.org/10.5007/1518-2924.2019.e65042

Keywords:

Performance, Document, Information, Memory, Society of history

Abstract

Objective: To discuss the approximations between the concepts of performance, document, information and memory, in order to identify possible contributions of the action and results of recording to this art form.

Methods: Research of theoretical nature, based on the concepts presented by Paul Otlet and Suzanne Briet (document), Ana Maria Camargo and Heloísa Bellotto (records/archives),Michael Buckland (information), Renato Cohen, Peggy Phelan, Jorge Glusberg and Regina Melim (performance) and Pierre Nora and Ulpiano Meneses (memory).

Results: The notion of classical documentalists, although enlarged, does not abdicate the physical / durable materiality of documents. As performance has no such materiality, it cannot be considered document. In the scope of archival science, the performance is understood as the activity of the artist, not being, therefore, document. With regard to information, performance fits into the information-as-knowledge type, since it is an event. Concerning memory, performance is confronted by two wishes: that of resisting the history society and the social need for knowledge and permanence.

Conclusions: It is understood that the documents that record the performance, instead of compromising the identity of this artistic manifestation, can broaden its possibilities of existence and resistance in the society of history

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References

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Published

2019-09-09

How to Cite

COELHO, Ana Cláudia Lara dos Santos; DA FONSECA, Vitor Manoel Marques; DE SOUZA, Elisabete Gonçalves. Performance in the society of history: relations with document, information and memory. Encontros Bibli: revista eletrônica de biblioteconomia e ciência da informação, [S. l.], v. 24, n. 56, p. 01–17, 2019. DOI: 10.5007/1518-2924.2019.e65042. Disponível em: https://periodicos.ufsc.br/index.php/eb/article/view/1518-2924.2019.e65042. Acesso em: 19 may. 2024.

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Vol. 24 No. 56 (2019)

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Articles

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