n. 36 (1999)

Publicado: 1999-01-01

Capa

capa/journal cover

Ilha do Desterro

000
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Início

Inicio/initial

001-008
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Prefácio

Prefácio

José Roberto O’Shea

009-014
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Introdução

Introdução/Introdution

Dirk Delabastita

015-027
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Artigos

When Macbeth becomes scots

J. Derrick McClure

029-051
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Abraham Sybant Tames the taming of the shrew for the Amsterdam stage (1654)

Ton Hoenselaars, Jan Frans van Dijkhuizen

053-070
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Translating Shakespeare for the theatre

Jean-Michel Déprats

071-085
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Shakespeare translations in Spain

Isabel Verdaguer

087-110
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Production as translation: the merchant of Venice on the “foreign” stage

Susan L. Fischer

111-140
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La perruque in a rented apartment: rewriting Shakespeare in Finland

Sirkku Aaltonen

141-159
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Twelfth night of 1917 and the Moscow art theatre

Arkady Ostrovsky

161-184
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Shakespearean dramaturgies in Quebec

Lois Sherlow

185-218
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My reasons for translating Shakespeare

Barbara Heliodora

219-236
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“God bless thee! Thou art translated!”: On two Brazilian tempests

Aimara da Cunha Resende

237-264
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Life is an inverted circus: Grupo Galpão’s Romeu e Julieta adapted from pennafort’s translation of Shakespeare’s

Júnia de Castro Magalhães Alves, Marcia Noe

265-281
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Shakespeare in Brazilian Portuguese: Hamlet as a case in point

Marcia Amaral Peixoto Martins

283-307
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“Doing their own thane”: the critical reception of Umabatha, welcome Msomi’s Zulu Macbeth

Mervyn McMurtry

309-335
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Shakespeare translation in Japan: 1868—1998

Akiko Sano

337-369
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The film’s the thing: film translation and its effect on a silent, edited and full text Hamlet

Janete R. Costa

371-388
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Notes on Contributors

Notas dos autores/notes of contributors

389-397
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