Vol. 19 No. 27 (2012): Dossiê História e Cinema

Presentation

Presentation

Alexandre Busko Valim

1-13
- PDF/A (Português (Brasil))

Article

Uses of “the appearences of Fatima” in maintaining the Portuguese Colonial Empire

Waldir José Rampinelli

273-287
- PDF/A (Português (Brasil))
Ad Regem: uses of epideictic and forensic rhetorics in the Chronicle of Guinea’s dedicatory (fifteenth century)

Jerry Santos Guimarães, Marcello Moreira

288-313
- PDF/A (Português (Brasil))

Special issue

When women film: history of Brazilian cinema genre in the years of military dictatorship

Alberto da Silva

14-31
- PDF/A (Português (Brasil))
Initial indications for the semiotics of a movie genre: the musical film

Ciro Flamarion Cardoso

32-54
- PDF/A (Português (Brasil))
Cinema educational of fascism and the New State in comparison

Cristina Souza da Rosa

55-75
- PDF/A (Português (Brasil))
Social discourse in Hollywood’s historical cinema

Fabio Gabriel Nigra

76-98
- PDF/A (Português (Brasil))
Scenery models in the historic spanish cinema

Gloria Camarero Gómez

99-123
- PDF/A (Português (Brasil))
Interrelationship History and Cinema, in Spain

Josep Maria Capparós Lera

124-139
- PDF/A (Português (Brasil))
Visconti or how to invent a critic of History thanks to the cinema

Michèle Lagny

140-149
- PDF/A (Português (Brasil))
Cinema and historic event: the death of Francisco Franco in the screen

Nancy Berthier

150-170
- PDF/A (Português (Brasil))
Film and History in Argentina: a state of the art

Mariana Piccinelli, Florencia Dadamo, Leandro Della Mora

171-195
- PDF/A (Português (Brasil))
The "Film Division" of UNESCO and the documentary filmmaking

Rosana Elisa Catelli

196-218
- PDF/A (Português (Brasil))
From narrative to identity: the representations of the strikes at ABC paulista and the testimonials contained in the documentary Peões by Eduardo Coutinho (2004)

Rafael Rosa Hagemeyer, Alexandre Pedro de Medeiros

219-241
- PDF/A (Português (Brasil))
Film and History in Israel: from one history to another

Sheila Schvarzman

242-257
- PDF/A (Português (Brasil))
Hybridisms and intertextuality in teen-themed contemporany cinema

Tania Montoro, Michael Peixoto

258-272
- PDF/A (Português (Brasil))

Interview

The unhappy life and times of a FBI informant and other considerations about the Cold War: an interview with Daniel Leab

Michelly Cristina da Silva

314-329
- PDF/A (Português (Brasil))

Book review

Audiovisual: present in history, history’s present

Bianca Melyna Filgueira

330-334
- PDF/A (Português (Brasil))
History could be made through the movies?

Lucas Braga Rangel Villela

335-341
- PDF/A (Português (Brasil))
The journey of my brother Alexei to the country´s peasant utopia

Óscar Gallo

342-349
- PDF/A (Português (Brasil))
A history of the Middle Ages through the body

Bruno Silva de Souza

350-354
- PDF/A (Português (Brasil))
Reading Bourdieu: the field, the intellectual and the knowledge

João Rodolfo Munhoz Ohara

355-359
- PDF/A (Português (Brasil))
The history of a child murderer

Sabrina Fernandes Melo

360-365
- PDF/A (Português (Brasil))

Presentation

Presentation

Article

Uses of “the appearences of Fatima” in maintaining the Portuguese Colonial Empire

Ad Regem: uses of epideictic and forensic rhetorics in the Chronicle of Guinea’s dedicatory (fifteenth century)

Special issue

When women film: history of Brazilian cinema genre in the years of military dictatorship

Initial indications for the semiotics of a movie genre: the musical film

Cinema educational of fascism and the New State in comparison

Social discourse in Hollywood’s historical cinema

Scenery models in the historic spanish cinema

Interrelationship History and Cinema, in Spain

Visconti or how to invent a critic of History thanks to the cinema

Cinema and historic event: the death of Francisco Franco in the screen

Film and History in Argentina: a state of the art

The "Film Division" of UNESCO and the documentary filmmaking

From narrative to identity: the representations of the strikes at ABC paulista and the testimonials contained in the documentary Peões by Eduardo Coutinho (2004)

Film and History in Israel: from one history to another

Hybridisms and intertextuality in teen-themed contemporany cinema

Interview

The unhappy life and times of a FBI informant and other considerations about the Cold War: an interview with Daniel Leab

Book review

Audiovisual: present in history, history’s present

History could be made through the movies?

The journey of my brother Alexei to the country´s peasant utopia

A history of the Middle Ages through the body

Reading Bourdieu: the field, the intellectual and the knowledge

The history of a child murderer

Language

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