Vol. 17 No. 1 (2012)

Staff

Expedient

1-4
- PDF/A (Português (Brasil))

Editorial

Introduction

Andréa Figueiredo Leão Grants, Gizelle Kaminski Corso, Jair Zandoná, Rafael Zamperetti Copetti, Stélio Furlan

5-8
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Thematic articles: Literatura e Cinema

Cine and literatura: some reflections and comments about the script as a intersemiotic gender

Ricardo André Ferreira Martins

9-28
- PDF/A (Português (Brasil))
Force of Evil and the intra-class divisions

Elder Kôei Itikawa Tanaka

29-47
- PDF/A (Português (Brasil))
Alice and Alice

Maria Augusta Vilalba Nunes

48-58
- PDF/A (Português (Brasil))
The book and reading in the space of performance: the case of Jane Austen Book Club

Carmen Irene Correa de Oliveira, Leila Beatriz Ribeiro, Valéria Cristina Lopes Wilke

59-76
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Focalization as a configuring element of relational barrenness in Vidas secas

Maria Bevenuta Sales de Andrade, Charles Albuquerque Ponte

77-91
- PDF/A (Português (Brasil))
True Grit: between fábula and trama

Sharmilla O'hana Rodrigues da Silva

92-107
- PDF/A (Português (Brasil))
The word impossible to rest: Pasolini and Murilo Mendes’ camera-eye

Bárbara Nayla Piñeiro Pessôa

108-121
- PDF/A (Português (Brasil))
Giving to see with words: Cinema and Literature in Italo Calvino

Bruna Fontes Ferraz, Maria Elisa Rodrigues Moreira

122-135
- PDF/A (Português (Brasil))
Work and Utopia: Antônio Vieira missionary

Edimara Lisboa

136-155
- PDF/A (Português (Brasil))
The many arts in Santiago, by João Moreira Salles

Jacques Fux, Darlan Roberto dos Santos

156-171
- PDF/A (Português (Brasil))
The Golem in the era of technical reproducibility: filmic apparatus, modern man and representation

Isabella Cristina Stangherlin Santucci

172-192
- PDF/A (Português (Brasil))
Fiction and subjectivity in the documentary by Eduardo Coutinho

Maria Silvia Antunes Furtado

193-202
- PDF/A (Português (Brasil))

Articles

Delusions II: lacerations of a tortured body

Vinícius Nicastro Honesko

203-220
- PDF/A (Português (Brasil))
Myth and Representation of the Feminine in O Forte, by Adonias Filho

Luciano Santos Neiva, Sandra Maria Pereira do Sacramento

221-240
- PDF/A (Português (Brasil))
The creative process of Erico Verissimo: notes written in your memorial

Roselene Berbigeier Feil

241-255
- PDF/A (Português (Brasil))

Book reviews

Ghosts, influences, inspirations: Odysseus, o velho, by Carlos Nejar

José Luiz Foureaux de Souza Júnior

256-260
- PDF/A (Português (Brasil))

Staff

Expedient

Editorial

Introduction

Thematic articles: Literatura e Cinema

Cine and literatura: some reflections and comments about the script as a intersemiotic gender

Force of Evil and the intra-class divisions

Alice and Alice

The book and reading in the space of performance: the case of Jane Austen Book Club

Focalization as a configuring element of relational barrenness in Vidas secas

True Grit: between fábula and trama

The word impossible to rest: Pasolini and Murilo Mendes’ camera-eye

Giving to see with words: Cinema and Literature in Italo Calvino

Work and Utopia: Antônio Vieira missionary

The many arts in Santiago, by João Moreira Salles

The Golem in the era of technical reproducibility: filmic apparatus, modern man and representation

Fiction and subjectivity in the documentary by Eduardo Coutinho

Articles

Delusions II: lacerations of a tortured body

Myth and Representation of the Feminine in O Forte, by Adonias Filho

The creative process of Erico Verissimo: notes written in your memorial

Book reviews

Ghosts, influences, inspirations: Odysseus, o velho, by Carlos Nejar

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