Vol. 76 No. 2 (2023): (Re)creating possible futures or alternative presents through the arts

Published: 2023-08-22

Initial

• Início

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Introduction

• (Re)creating possible futures or alternative presents through the arts

  Ildney Cavalcanti, Matias Corbett, Raffaella Baccolini

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Articles

• Undoing hopeless heteronormative maps of the present with Mattilda Bernstein Sycamore

  Ruan Nunes Silva

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• Coming-of-Age as Ecocitizens in Young Adult Climate Fiction: Saci Lloyd’s The Carbon Diaries 2015 and 2017

  Chiara Xausa

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• Staying with the trouble: other ways of inhabiting the world in “A Psalm for the Wild-Built”, by Becky Chambers

  Marina Pereira Penteado, Jade Bueno Arbo

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• No one came from Outside: A critique of the abject-Lovecraftian foundations of dark ecology

  Jorge León Casero, Julia Urabayen

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• The utopian dark matter: a study of the configuration of the afrofuturistic utopia in Ryan Coogler’s Black Panther and N.K Jemisin’s “Emergency Skin”

  Millena C. S., Maria Aracy Bonfim

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• Up the river, into the dark: textual play and dystopian gloom in Joca Reiners Terron’s A morte e o meteoro

  André Cabral de Almeida Cardoso

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• The emancipation of the subject from the resignification of the cyborg figure in afrofuturist literature

  Roberta Reis Bahia Tszesnioski, Gilson Leandro Queluz

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• Virginia Woolf in a different modernist scene: towards new readings of freshwater: a comedy

  Victor Santiago, Davi Pinho

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• Projecting utopian thought: The conceptualization of the “good Anthropocene” in Kim Stanley Robinson’s "The Ministry for the Future" (2020)

  Ana Tejero-Marín

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• Storytelling and multispecies alliance for the survival in Margaret Atwood’s MaddAddam

  Suênio Stevenson Tomaz da Silva

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• Cognitve (re)mapping: Superseding Utopian and Dystopian Space in Notes from a Coma

  Tom Moylan

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• “What a Splendid World We Ruined”: the Precarious Presents and Posthuman Futures of Margaret Atwood’s Oryx and Crake and Dmitry Glukhovsky’s Metro 2033

  Marta Korbel

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• Straight from the Gutter: possible associations between Zé Wellington and Walter Geovani’s Cangaço Overdrive and Frank Miller’s Ronin

  Mateus de Novaes Maia

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• Subversion and satire: apocalyptic futures in the world, the flesh and the devil and dr. Strangelove

  George Ayres Mousinho

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• Becoming (in)human. The search for an alternative present in Helen Macdonald's H Is for Hawk

  Ewa A. Lukaszyk

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• Storytelling defining humans in twenty-first century dystopian novels

  Melissa Sá

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• From the center to the margins: ecocritical visions in the contemporary thinking

  Hiandro Bastos, Lauro Roberto do Carmo Figueira

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• The black woman created in absence: dynamics of representation and composition of visuality by Rose Maxson in Fences

  Luciana Soares de Medeiros, Alessandra Soares Brandão

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• A long hope: the Prometheus Counter-Project

  Darko Suvin

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• (Post-)Modernism and Cyborg Writing in George Egerton’s “The Regeneration of Two” (1894)

  Jéssica Katerine Molgero Da Rós, Alinne Balduino Pires Fernandes

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• The Earlie King and The Kid in Yellow: A Post-Apocalyptic Version of Ireland

  Rejane de Souza Ferreira

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Book Reviews

• Resenha Furos no futuro: psicanálise e utopia

  Cleyton Andrade, Nathália Bezerra

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• The “I” and Life Writing in the Posthuman Anthropocene

  Raphael Albuquerque de Boer

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Finish

• Final

  Ilha do Desterro

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