Leisure and art for workers during the first Peronist period (1946-1955)
DOI:
https://doi.org/10.5007/1984-9222.2014v6n12p239Keywords:
Leisure, Workers, PeronismoAbstract
In the cultural planning of the first two Perón governments (1946-1955), education, leisure and the training of workers formed central nuclei, thus complementing the objective of social insertion. To this end, the State planned a series of experiences conceived at the intersection of art and politics, which were erected in the field of tension between education and entertainment, between the realization of pedagogical postulates and the leisure of workers. Many of them, in some cases, were in charge of unions, who functioned as intermediary agents of the State. Considering this conjunction between art and leisure, we propose to analyze the conception of leisure adopted by the Peronist State in the cultural project destined for workers.
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