Reflexões sobre o “corpo In’perfeito”: o Cena 11 e as relações entre arte e tecnologia

Authors

  • Elisa Abrão UFSC
  • Ana Márcia Silva UFSC

DOI:

https://doi.org/10.5007/%25x

Abstract

The present work intended to investigate the relationships among art, science and technology, taking the hybrid dance as a possibility of developing this analysis. For so much a descriptive-exploratory research, of bibliographical nature , was built using a case study developed starting from the proposal of the company of dance "Cena 11", as an exemplary field for this analysis. In this article we emphasized two axes for the analysis of this content: The dance of the techniques: physical perception and classic in the art of the "Cena 11", being constituted the analysis of the physical preparation of the group; The function of the technology attached to the body in the shows of the group, that characterized the analysis in the way as the art of the group comes to the audience.

Author Biographies

Elisa Abrão, UFSC

Especialista em Ecucação Física Escolar e Mestranda do Curso de Educação Física da Universidade Federal de Santa Catarina

Ana Márcia Silva, UFSC

Professora Doutora do Centro de Desportos da Universidade Federal de Santa Catarina

Published

2004-01-01

How to Cite

ABRÃO, Elisa; SILVA, Ana Márcia. Reflexões sobre o “corpo In’perfeito”: o Cena 11 e as relações entre arte e tecnologia. Motrivivência, Florianópolis, n. 23, p. 45–60, 2004. DOI: 10.5007/%x. Disponível em: https://periodicos.ufsc.br/index.php/motrivivencia/article/view/2020. Acesso em: 6 dec. 2025.

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