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Vol. 73 No. 2 (2020): The Irish Theatrical Diaspora
Vol. 73 No. 2 (2020): The Irish Theatrical Diaspora
Published:
2020-05-25
Initial
Expediente
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Introduction
Introduction
Beatriz Kopschitz Bastos, Patrick Lonergan
9-16
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Articles
Roger Casement in the twenty-first century: the public and private faces of a multi-media Irish hero
Domingos Nunez, Peter James Harris
17-35
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Cultural appropriation: brazilian stage productions of Samuel Beckett’s Waiting for Godot
Anna Stegh Camati
35-48
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From Kerry to Chiconcuac: Marie Jones’s Stones in His Pockets and Sabina Berman’s eXtras
Jacqueline E. Bixler
49-62
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Language, translation, and the Irish Theatre Diaspora in Quebec
Aileen R. Ruane
63-83
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Brian Friel on the french stage: from Laurent Terzieff to women directors of Dancing at Lughnasa
Martine Pelletier
85-97
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Domesticity in the trilogies of Sean O’Casey and Yu Ch'i-jin
Ji Hyea Hwang
99-113
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Richard Bean’s The Big Fellah (2010) and Jez Butterworth’s The Ferryman (2017): two plays about the Northern Troubles from outside of Northern Ireland
Hiroko Mikami
115-126
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Dion Boucicault’s Robert Emmet?: the question of authorship and the season premiere at the McVicker's Theatre, Chicago, on November 5, 1884
Fernanda Korovsky Moura
127-136
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Dion Boucicault: showman and Shaughraun
Maureen Murphy
137-144
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Book Reviews
Review: Haughton, Miriam. Staging trauma: bodies in shadow. Palgrave Macmillan, 2018.
Luke Lamont
145-149
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Review: Lanters, José. The theatre of Thomas Kilroy: no absolutes. Cork UP, 2018
Dawn Duncan
151-155
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Review: Lonergan, Patrick. Irish drama and theatre since 1950. Methuen, 2019
Shaun Richards
157-160
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Review: Jordan, Eamonn. The theatre and films of Conor McPherson: conspicuous communities. Methuen, 2019.
Ian R. Walsh
161-164
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Review: Sihra, Melissa. Marina Carr: pastures of the unknown. Palgrave, 2019
Patrick Lonergan
165-169
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Finish
Finais
Ilha do Desterro
170-173
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Language
English
Português (Brasil)
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