Vol. 70 No. 1 (2017)

View Vol. 70 No. 1 (2017)

Published: 2017-01-27

Initial

Início

1-10
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Presentation

Current critical perspectives in literature, film, and cultural studies

Magali Sperling Beck

11-16
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Articles

In search of a place in the empire: englishness, black belonging and national memory in two short stories by Andrea Levy

Denise Almeida Silva

17-26
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Like jazz... the United States according Mario de Andrade's poetry

Angela Teodoro Grillo

27-38
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Decolonizing Queer time: a critique of anachronism in latin@ writings

Eliana de Souza Avila

39-50
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Ask the dust, by John Fante, and the american dream of immigrants

Douglas Ceccagno

51-60
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Claiming the right to the city: cooperation, occupancy, community

Rafaela Scardino

61-68
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Rethinking motherhood and motherly love in Toni Morrison’s Sula and Gloria Naylor’s The Women of Brewster Place

Ane Caroline Faria Ribeiro, Jose Paiva Santos

69-80
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River of Blood: George Martin’s Fevre Dream and the road to dark designr

Andrew Howe

81-90
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Between humans and beasts: the fictional uncanny in The Great God Pan and Shame

Shirley de Souza Gomes Carreira

91-102
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From Samuel Beckett to Nancy Huston: a poetics of self-translation

Sandra Regina Goulart Almeida, Julia de Vasconcelos Magalhães Veras

103-112
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Modalities of representation and perception in Michael Ondaatje’s Anil’s Ghost

Sigrid Renaux

113-122
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The Luminaries: A D?ned Fine Tale, but of What?

John Scheckter

123-134
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The deadly perception of the witness: focalization in Markus Zusak’s The Book Thief

Débora Almeida de Oliveira, Sandra Sirangelo Maggio

135-142
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Obituaries, past and present: from the fast food biographical narrative to a newspaper literature

Willian Vieira

143-160
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The film adaptation of an american tragedy and Othello in match point

Ana Paula Bianconcini Anjos

161-176
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Parody and the gas station in William Shakespeare's Romeo and Juliet

Avital G. Cykman

177-186
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Orlandos: interchange between Virginia Woolf and Sally Potter

Fabiana Gomes Assis

187-198
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Displacements and identities in the australian gothic: the case of Picnic at Hanging Rock

Luciana Wrege Rassier, Cynthia Beatrice Costa

199-210
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Poe, between cinema and literature: an intermedial reading of The Raven

Caio Antônio de Medeiros Nóbrega Nunes Gomes, Genilda Azeredo

211-220
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The preface as stage: the theatrical trope and the performance of authorial identities in the nineteenth century

Geraldo Magela Cáffaro

265-274
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Eisenstein in Mexico: Greenaway’s post-modern representation of the Queer artist

Andrei dos Santos Cunha, Elaine Barros Indrusiak

221-232
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The american dream and the culture of appearances in Mervyn Leroy’s Little Caesar

Elder Kôei Itikawa Tanaka

233-248
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Chronos sickness: digital reality in Duncan Jones’s Source Code

Marcia Tiemy Morita Kawamoto

249-256
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Nadsat - the language of violence: from novel to film

Israel Alves Correa Noletto, Margareth Torres de Alencar Costa

257-264
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The limits of realism in The Mutilated, by Tennessee Williams: expressionism and verfremdungseffekt

Gustavo Ponciano

275-286
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Spatial Politics in Tom Stoppard’s Rosencrantz and Guildenstern Are Dead

Elham Kazemi, Mohsen Hanif

287-296
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Book Reviews

Everybody behaves badly: the true story behind Hemingway's masterpiece The Sun Also Rises

Elisa Correa dos Santos Townsend, Christiane Heemann

297-298
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Highway, Tomsom. A Tale of Monstruous Extravagance: imagining multilingualism

Régis de Azevedo Garcia

299-302
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Guidelines for Publication

Políticas de Publicação

303-306
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